The article discusses the common perception that classical statues were painted in a way that looks ugly to modern viewers, and challenges this idea by suggesting that the reconstructions of these paintings are often poorly done. It argues that ancient depictions of statues and other artworks from the same period show a more subtle use of color, and that the reconstructions are not representative of the original artwork. The article proposes that the reason for the ugliness of the reconstructions is not a difference in taste between ancient and modern times, but rather a lack of skill in the reconstruction process. The author suggests that the reconstructions are often based on incomplete evidence and are hampered by conservation doctrines that prioritize accuracy over aesthetics.