Remnants of a legendary typeface have been rescued from the Thames (news.artnet.com)

Article summary

The article discusses the recovery of the Doves typeface from the Thames River, a legendary typeface that was previously thought to be lost. The typeface was rescued by a diver, and its recovery is seen as a significant event in the world of typography. The article's details are not available, but the comments reveal that the typeface has been the subject of interest and discussion for many years. The recovery of the typeface has sparked conversations about its history, design, and significance.

Main themes

• Typography
• Typeface recovery
• River pollution
• Historical preservation
• Design and aesthetics

What commenters say

• The recovery of the Doves typeface from the Thames River is a significant event in the world of typography, with many considering it a remarkable find.
• Some commenters question the authenticity of the story, with one suggesting that the typeface's recovery may have been exaggerated or distorted over time.
• The practice of dumping waste, including typefaces, into rivers was common in the past, and some commenters note that it is still a problem in some parts of the world today.
• The design of the Doves typeface is considered beautiful and easy to read, with some commenters praising its aesthetic qualities and others discussing its historical significance.
• There is disagreement among commenters about the quality of digital versions of the Doves typeface, with some preferring the original and others liking the modernized versions.
• Some commenters discuss the history of typography, including the influence of Roman and Carolingian designs on modern typefaces, and the evolution of serif and sans-serif fonts.
• The connection between the Doves typeface and other historical typefaces, such as the Fell typefaces, is also discussed, with some commenters noting the similarities and differences between them.
• The issue of authorization and public domain is raised, with some commenters questioning who would have the authority to authorize the use of a historical typeface and others noting that the typeface is likely in the public domain.